Why? Because the director is a risk-taker who never disappoints. The film was also described as “a comedy wrapped around a tragedy” and I’m in deep admiration of anyone who can pull that off.
Why? Because his films can stimulate my parasympathetic nervous system like nothing else (in cinema today). If looking for something intelligent as well as light-hearted, look no further.
Why? Curious if he changed his mind about something he mentioned in a 2012 Guardian interview:
“For mankind, I can’t see any way out,” he says in his deadly monotone, “except terrorism. We kill the 1%.” Which 1%? “The only way for mankind to get out of this misery is to kill the 1% who own everything. The 1% who have put us in the position where humanity has no value. The rich. And the politicians who are the puppies of the rich.” (very radical but I’m also thinking: you can’t get more Vitamin D deficient!)
Why? Because his latest film was the most intense drama I saw in ages. It also won the Golden Bear in 2013 so let’s see how this one compares.
Why? Do I really need another reason besides the very intriguing cast?
1 Fluidø – Germany
By Shu Lea Cheang
Set in Berlin and described as a “para-pornographic work of underground science fiction”, this is the first feature film immersion by Taiwanese-American artist Shu Lea Cheang.
2 Kaygı (Inflame) – Turkey
By Ceylan Özgün Özçelik
The story of the incremental roll-out of wide-spread censorship of the press in Turkey and its effect on the work of a young female journalist.
3 The Misandrists – Germany
By Bruce LaBruce
The favourite filmmaker of the punk/underground art crowd whose 1994 film Super 8½ was a kind of “fuck you” valentine to the world” continues to question authority and the dominant ideology in this feminist fairy tale.
4 Fra balkongen (From the Balcony) – Norway
By Ole Giaever
After his success with Out of Nature, the Norwegian filmmaker returns with a thematic film essay in which the protagonist observes the world from his own balcony. A film of inaction, or rather, mental action?
5 Discreet – USA
By Travis Mathews
A man approaching middle age gets caught up in the darker depths of his past.
Also: Berlin Syndrome, by Australian director Cate Shortland. This film, alongside Fluidø and The Misandrists, pays tribute to the vision of Berlin as a place of happiness and promise which is drawing increasingly large numbers of young cosmopolitans to it.
1 Golden Exits by Alex Ross Perry, USA
“This movie was made for the sense of trying something new with a bunch of people I like working with,” says the filmmaker in this Indiewire interview. What better reason to make a film anyway? With Emily Browning , Adam Horovitz, Jason Schwartzman, Chloë Sevigny, Mary-Louise Parker, Golden Exits tells the story of a young Australian woman who comes to New York for a few months and unwittingly throws the lives of two couples into disarray.
2 Casa Roshell by Chilean director Camila José Donoso
A portrait of a most unusual institution in the Mexican capital, a place where men learn to be women during the day, before the parties get going at night. Blurring boundaries between gay, straight and bi, male and female, past and present, reality and fiction.
3 Casting, by Nicolas Wackerbarth
A film dedicated to the process of filmmaking: director Vera is unwilling to compromise when it comes to finding the right lead actress for a Fassbinder remake for television.
4 Menashe, by Joshua Z Weinstein (feature debut)
Set in Borough Park, Brooklyn, the film sees the titular Menashe fighting to keep custody of his son following the death of his wife. Yet the Hasidic community demands he lead a more ordered life and find a new spouse, neither of which come easy to this kind, but awkward loner.
5 Adiós entusiasmo (So Long Enthusiasm), by Vladimir Durán (debut feature)
Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren’t imprisoned in one of the rooms.